Useful links

EUNIC Documents

> EUNIC Global, “The history of EUNIC Board including presidents and vice-presidents”, EUNIC Global Website, https://uploads-ssl.webflow.com/580cd32ba6f74f8a0e214914/5dbc0745c-1525d5a47e45f80_History%20of%20EUNIC%20Presidents%20and%20Board%20of%20Directors.pdf
> EUNIC Global, “EU Neighbourhood East Meeting Report”, 4-6 April 2016, Kiev, Ukraine, 10 Pages,Page 7.
> EUNIC Global, “Neighbourhood South Meeting Report EUNIC”, 27-28 October 2016, Rabat Morocco,2016, 10 pages, Page 8.
> EUNIC Global, “Cluster List”, EUNIC Global, https://www.eunicglobal.eu/clusters
> EUNIC Global, “Published : Results of EUNIC Cluster Fund 2019”, https://www.eunicglobal.eu/news/published-results-of-eunic-cluster-fund-2019
> EUNIC Global , “E(uropean) U(ruguayan) Comics para el futuro de nuestro medioambiente”, Projects, 2020, Accesible Online, https://www.eunicglobal.eu/projects/eunic-uruguay-e-uropean-uruguayan-comics-para-el-futuro-de-nuestro-medioambiente
> EUNIC Global, Siena University, CReW Project, “Project Description, Cultural Relations at Work”, CReW project website, http://crewproject.wp.unisi.it/project/

Reports, studies, webpages

> Anna Lindh Foundation, “Intercultural trends and social change report”, Anna Lindh Foundation 2018, 139 pages, https://www.annalindhfoundation.org/intercultural-trends-report.
> Ait Touati F., Latour B., Théâtre des Amandiers, “Moving Earths”, Nanterre Amandiers, 2019, https://nanterre-amandiers.com/evenement/moving-earth-bruno-latour-frederique-ait-touati-2019/
> Arroyo, K. (ed.), Mobile Minds: Culture, Knowledge and Change, Kuala Lumpur, Malaysia, March 2019.
> Arroyo, K. et al., Artists, Displacement and Belonging, Surry Hills, Australia, February 2019.
> Arte, “Financement”, https://www.arte.tv/sites/corporate/financement/.
> BOP Consulting, “Global Cultural Networks: The Value and Impact of British C ouncil International Showcasing”, British Council Website, April 2019, 38 pages, p. 30.
> Bonet L., Calvano G., Univ. Barcelona Héctor Schargorodsky, Univ. Buenos Aires Mónica García, “Cultural Relations: main findings and conclusions”, EULAC Focus, Final Conference, 5 November 2019. http://eulac-focus.net/assets/dms/S5-WP3_Final%20conference_%20Brussels_nov%2711%20
Morning.pdf
> Bornstein D., CLIMAT, Le théâtre des négociations, 2016 (video), https://vimeo.com/143874181
> Bloomberg J., “Digitalization and Digital Transformation: Confuse Them At Your Peril”, Forbes, 29 April 2018, https://www.forbes.com/sites/jasonbloomberg/2018/04/29/digitization-digitalization-and-digital-transformation-confuse-them-at-your-peril/#4027f5f42f2c
> CreatiFi website, https://www.creatifi.eu/.
> Carnwath J.D., Brown A.S., Understanding the v alue and impacts of cultural experience – A literature review, Arts Council England/The Hive, 2014. http://gesculcyl.org/wp-content/uploads/2015/06/Understanding.pdf
> Creative Europe Desk UK, “European networks“, http://www.creativeeuropeuk.eu/european-networks.
> Culture Action Europe, “About us,” https://cultureactioneurope.org/about-us/.
> Cultural Diplomacy Platform, “International Cultural Relations in practice: Workshop, 23 March 2018“. https://www.cultureinexternalrelations.eu/2018/04/09/workshop-international-cultural-relations-in-practice/.
> culture Solutions, “Our Theory of Change”, https://www.culturesolutions.eu/wp-content/uploads/2019/05/CULTURE-SOLUTIONS-THEORIE-OF-CHANGE-160519.pdf.
> culture Solutions Workshop at the European Lab, Lyon, 30 May 2019, https://www.culturesolutions.eu/events/bottom-up_workshop_lyon/
> Crossick G., Kaszynska P., Understanding the value of arts and culture, Cultural Value Project, Arts and Humanities Research Council, 2016, https://ahrc.ukri.org/documents/publications/cultural-value-project-final-report/.
> Delors, J., Speech at the European Parliament, Strasbourg, 17 January 1989.
> De Rosa, S. et al., I3’s, MediaRoad’s and Vital Media’s Policy Recommendations for the Next Multiannual Financial Framework, September 2018, 17 pages.
> Deutsche Welle, ”Goethe-Institut: looking back on a turbulent year, while planning for 2018”, 13 December 2017, https://www.dw.com/en/goethe-institut-looking-back-on-a-turbulent-year-whileplanning-for-2018/a-41775465
> Deutsche Welle, “Who finances DW?”, 26 Februrary 2019, https://www.dw.com/en/who-financesdw/a-36767785
> De Vries G., “Cultural freedom in European Foreign Policy“, Stuttgart, Institut für Auslandsbeziehungen, 2019, 111 pages. https://publikationen.ifa.de/en/Periodicals/ifa-Edition-Culture-and-Foreign-Policy/Cultural-Freedom-in-European-Foreign-Policy.html
> Diplo, Digital Diplomacy, https://www.diplomacy.edu/e-diplomacy
> Dorosko Kristine, “The transition from fast fashion to sustainable fashion”, Sustain Europe, 8 October 2018, https://www.sustaineurope.com/the-transition-from-fast-fashion-to-sustainablefashion-20181008.html
> Dutch Culture, “International Cultural Policy Framework 2017-2020”, 19 pages. https://dutchculture.nl/sites/default/files/atoms/files/International%20Cultural%20Policy%20Framework%202017-
2020%20-%20eng.pdf
> Edinburgh News, “Edinburgh Festival funding slashed by city council”, 13 June 2019, https://www.edinburghnews.scotsman.com/whats-on/arts-and-entertainment/edinburgh-festival-funding-slashed-city-council-545549
> EL-CSID, European Leadership in Culture, Science and Innovation Diplomacy, “Final Report”, EL-CSID, Institute for European Studies, VUB, Requested from the European Union’s Horizon 2020 research and innovation programme, February 2019, 56 pages. https://5ec1837c-88ac-4ca1-b478-8bfae7f7f027.filesusr.com/ugd/7dd3ca_b8033aafca8f400db4886eeec0002079.pdf
> ERICarts Institute, Compendium on cultural policies and trends, Comparative table of European international cultural cooperation systems, based on country profiles, 19th edition, 2017, https://www.culturalpolicies.net/resources/tables/#1558516517013-6cebadd0-3914
> Eurocities, “Cities’ external cultural relations: trends and actions”, September 2017, 26 pages, http://nws.eurocities.eu/MediaShell/media/EUROCITIES_study_on_culture_in_cities_external_relations_2017.pdf
> European Expert Network on Culture and Audiovisual (EENCA), ”Sustainable Cultural Tourism: A mapping document for the OMC”, 2017 http://www.eenca.com/index.cfm/publications/sustainablecultural-tourism-a-mapping-document-for-the-omc/
> Fernandez Leost, J.A., Acción Cultural Exterior en Europa: un análisis comparado, Fundacion Alternativas, 2015. http://www.fundacionalternativas.org/public/storage/cultura_documentos_archivos/d4eb3a4b3ddbb0de98de5d36b5bb4d42.pdf
> Fribourg Declaration, Cultural Rights, 2007, 12 pages, http://hrlibrary.umn.edu/instree/Fribourg%20Declaration.pdf.
> Galeazzi G., Helly D., Culture in EU development policies and external action: Reframing the discussion, ECDPM, 2016. https://ecdpm.org/publications/culture-eu-development-policies-external-action/
> Gartner Glossary, “Digitization”, https://www.gartner.com/en/information-technology/glossary/digitization
> Goethe Institut, House of Europe, About Us, https://houseofeurope.org.ua/en/about-us.
> Helly D., Europe’s diplomacy needs a radio station, European Voice, 9 May 2012, https://www.politico.eu/article/europes-diplomacy-needs-a-radio-station/
> Helly, D., More Cultural Europe in the World, Study for More Europe, 2012, 56 pages. http://moreeurope.org/project/more-cultural-europe-in-the-world-presentation/
> IETM (endorsed by European Dance house Network), “Position paper on the mid-term evaluation of Creative Europe and recommendations regarding its post-2020 successor”, Brussels, July 2017.
> IGI Global, Dictionnary, https://www.igi-global.com/dictionary/new-communication-technologies/7668
> IGI Global, ”What is Digital Revolution”, https://www.igi-global.com/dictionary/ransomware/7696
> Interarts, Programme Culture Burundi, État des lieux du secteur et formulation d’une proposition d’action: Rapport final (projet) », FED/2019/405-892, Juin 2019, 36 pages.
> Janssen J., Kunstenpocket #2, (Re)framing the International, Flanders Arts Institute, 2019.
> Kern P., Le Gall A., Pletosu T., “Creative Europe: Towards the Next Programme Generation”, Brussels, KEA, June 2018.
> KEA, BFI Film Forever, “Film Festivals at EU Delegations“, Study for the European Commission, 2014, 158 pages. https://op.europa.eu/en/publication-detail/-/publication/8f421a2f-cbd3-11e5-a4b5-01aa75ed71a1
> KEA, “Culture: nowhere or everywhere?”, KEA European Affairs 23 September 2019, https://keanet.eu/culture-nowhere-or-everywhere/.
> KEA, “Towards an integrated vision for the European Digital Media Sector. Mapping of other existing EU programmes targeting Creative and Cultural Sectors in the Audiovisual field”, 31 October 2018, 51 pages.
> La Lettre.Pro, “Le CA de France Médias Monde Approuve un Budget 2019 à l’équilibre”, 14 February 2019, https://www.lalettre.pro/Le-CA-de-France-Medias-Monde-approuve-un-budget-2019-a-lequilibre_a18694.html
> Latour B., “Europe alone – only Europe”, 2017, http://www.bruno-latour.fr/sites/default/files/P-178-EUROPE-GB.pdf.
> Lokahi Foundation, Building and EU International Exchange Platform on Religion & Social Inclusion, London, United Kingdom, February 2019, 48 pages.
> Marr Bernard, “What is Digital Twin Technology- And why is it so important?” Forbes, 6 March 2017, https://www.forbes.com/sites/bernardmarr/2017/03/06/what-is-digital-twin-technology-andwhy-is-it-so-important/#1651f4a82e2a
> Merkel C. M., Enlarging choices: cultural content and public service media, in UNESCO, Reshaping cultural policies, 2018. http://uis.unesco.org/sites/default/files/documents/reshaping-cultural-policies-2018-en.pdf
> Meyer-Bisch P., “Pour une vraie démocratie culturelle” (Revue Projet n° 372, La culture, c’est pas du luxe!), November 2019, pp. 67-75.
> Monbiot George, “Finally a breakthrough alternative to growth economics – the doughnut”, The Guardian, 12 April 2017, https://www.theguardian.com/commentisfree/2017/apr/12/doughnut-growth-economics-book-economic-model.
> Morganti L., Ranaivoson H., Mazzoli E.M., The Future of Media Innovation European Research Agenda Beyond 2020, Media Road, September 2018, 24 pages.
> More Europe – External Cultural Relations, “What is More Europe?”, http://moreeurope.org/whatis-more-europe/
> Nautilus, Interview of Hannay Fry: “There is a need for an algorithm safety agency”, Courriel International, 12 April 2019,
> On the Move, “Operational study Mobility Scheme for Artists and Culture Professionals in Creative Europe countries” (Executive Summary), 31 March 2019, 80 pages, p. 7, https://www.i-portunus.eu/wp-fuut/wp-content/uploads/2019/04/OS-final.pdf
> Oxford Dictionary, “New words notes June 2014”, 2014, https://public.oed.com/blog/june-2014-update-new-words-notes/
> Public Policy.ie, “The European Union Budget: Member State C ontributions and Expenditures”, 22 May 2019, http://publicpolicy.ie/papers/the-european-union-budget-member-state-contributions-and-expenditures/
> Relais Culture Europe, “Europe Créative: nouvel appel “Rapprocher la culture et le contenu audiovisuel à l’aide du numérique”.
> Rijksmuseum “Jaarverslagen van het Rijksmuseum 2018”, https://www.rijksmuseum.nl/nl/organisatie/jaarverslagen
> RFI, “Festival de Cannes, un budget en or”, 15 May 20 18, http://www.rfi.fr/fr/culture/20180515-infographie-festival-cannes-budget-or
> Sénat.fr, “Commission de la culture, de l’éducation et de la communication”, Video, 31 January 2019, http://videos.senat.fr/video.1009375_5c50e2e604895.audiovisuel-exterieur-en-europe—audition-de-mme-marie-christine-saragosse-et-m-peter-limbourg?timecode=2840000
> Sciences Po, Master d’Experimentation en Arts Politiques, http://blogs.sciences-po.fr/speap/
> Sciences Po Médialab, “How do we compose a common world?”, AIME: An Inquiry Into Modes of Existence, 2015, https://medialab.sciencespo.fr/en/activities/aime-an-inquiry-into-modes-of-existence/.
> VRT NWS,”Cultural sector concerned about proposed funding cuts”, 10 November 2019, https://www.vrt.be/vrtnws/en/2019/11/10/cultural-sector-concerned-about-prosed-funding-cuts/.
> UN Human Rights Council, Resolution 10/23, Independent expert on cultural rights, 26 March 2009.
> UN Human Rights Council, Report of the independent expert in the field of cultural rights, Ms. Farida Shaheed, submitted pursuant to resolution 10/23 of the Human Rights Council, 22 March 2010.
> UNESCO, Reshaping cultural policies, 2018. http://uis.unesco.org/sites/default/files/documents/reshaping-cultural-policies-2018-en.pdf
> UNESCO, EU, “UNESCO and Cuba join hands for new major culture initiative Transcultura“, 1st October 2019, retrieved 19 December 2019, https://en.unesco.org/news/eu-unesco-and-cuba-joinhands-new-major-culture-initiative-transcultura
> UNCTAD, Digital Economy Report 2019. Value Creation and Capture: Implications for Developing Countries, United Nations, 2019, 194 pages, p. 147 https://unctad.org/en/PublicationsLibrary/der2019_en.pdf
> Wagner G., European external cultural relations in a nutshell: Achievements, shortcomings, perspectives, Discussion paper written for the German Foreign Office by Gottfried Wagner, Vienna, 2/2019.

Academic sources

> Barcevičius, E. et al., “Analysis of the Perceptions of the EU and EU’s Policies Abroad“, PPMI, NRCE, NFG Research group, 2015 (Funded by the Foreign Policy Instrument FPI). http://ec.europa.eu/dgs/fpi/documents/showcases/eu_perceptions_study_final_report.pdf
> Bjola C., Digital diplomacy – the state of the art, Global Affairs, 2016, DOI: 10.1080/23340460.2016.1239372
> Bouchard G., L’Europe à la recherche des Européens. La voie de l’identité et du mythe, Notre Europe Institut Jacques Delors, Novembre 2016, p. 38. https://institutdelors.eu/wp-content/uploads/2018/01/europeidentitemythes-bouchard-ijd-dec16.pdf
> Beukelaere C. (de) and Spence K., Global Cultural Economy, Routledge, 2018.
> Canali S., “European Union diplomats: an emerging epistemic community?”, CEPOB # 8.19, Bruges, December 2019.
> Chaban, N., and Holland M., eds. Communicating Europe in Times of Crisis: External Perceptions of the European Union, Palgrave Macmillan, 2014.
> Giddens, A. Turbulent and Mighty Continent: What Future for Europe ?, 2014.
> Keukeleire, S., decentring foreign policy. https://soc.kuleuven.be/lines/staff/00016737
> Isar, Y. R., “Culture in EU external relations’: an idea whose time has come?”, International Journal of Cultural Policy, 2015, Vol. 21, No. 4, 494–508, http://dx.doi.org/10.1080/10286632.2015.1042472
> Laïdi, Z., Le reflux de l’Europe, 2013.
> Lavery C. (ed.), Performance and Ecology: What can Theatre Do, Routledge, 2019, 118 pages.
> Lucarelli, S., “Seen from the Outside: The State of the Art on the External Image of the EU“, Journal of European Integration, vol. 36, nº 1, 2014, pp. 1-16.
> Miller V., Understanding digital culture. London: Sage, 2011.
> Richieri Hanania, L., “Cultural Diversity and Regional Trade Agreements – The European Union Experience with Cultural Cooperation Frameworks”, (September 28, 2012), Asian Journal of WTO & International Health Law and Policy (AJWH), Volume 7, Number 2.; https://ssrn.com/abstract=2087639 or http://dx.doi.org/10.2139/ssrn.2087639
> Nicolaidis, K., Mutual Recognition: Promise and Denial, from Sapiens to Brexit, Current Legal Problems, Vol. 70, No. 1 (2017), pp. 1–40.
> Nicolaidis, K., on mutual recognition. http://kalypsonicolaidis.com/managed-mutual-recognition/.
> Van der Wurff R., Climate Change Policy of Germany, UK and USA, in Boersema, J. J., Reijnders L., Principles of Environmental Sciences, Springer, 2019, pp 459-471.
> Van Parijs P., Linguistic justice for Europe and for the world, Oxford & New York: Oxford University Press (“Oxford Political Theory“), 2011, 299 pages.
> Youngs R., Europe Reset, IB Tauris, 2018.
> Zielonka J., Is the EU Doomed?, Polity Press, 2014.